Showing posts with label mimetic. Show all posts
Showing posts with label mimetic. Show all posts

Saturday, December 24, 2016

kenosis in transitional/liminal space

 Martha Reineke in René Girard and Creative Mimesis:


Winnicott's work proves useful at this juncture.  As his work is interpreted by Ulanov, religion is  an environment "provided by a God who holds us in being."  This environment is healing to humans because each human's infancy and childhood inevitably has included gaps which have led them to falter in their reconnoitering of transitional space.  Ulanov finds Julian of Norwich's words descriptive of God's work: God "knits" humans into divine being, "oneing" them into God's being.  Likened to a mother, God stays with humans through all their ruthless attacks, surviving these attacks
"out of her own resilience" and, remaining empathetic, "mothering us into one whole persons living through her shared experience with us."


..Winicott's vision, Ulanov claims, has profound theological implications. She understands that “good enough parents” can facilitate in humans the development of a capacity for a capacity for symbol-making that supports creative explorations of being within transitional space ...In conversion,
new relationship is forged by a God who "eternally, graciously, enduringly offers relationship."  Ulanov describes in precise ways  how the Christian community of faith supports transitional space.

To meet God within this space, one must undergo kenōsis, emptying oneself in ways that mirror Christ's emptying himself in order to enter into human life. -René Girard and Creative Mimesis
pp. 45-6, link

Wednesday, January 21, 2015

Ignatius of Loyola directs mimetic and histrionic kittens to play religiously on stage: copy-catechism

pic credit
From The Idea of a Theater by  Fergusson
 
The Histrionic Sensibility: The Mimetic Perception of Action

The trained ear perceives and discriminates sounds; the histrionic sensibility(which may also be trained) perceives and discriminates actions.Neither form of perception can be defined apart from experience but only indicated in various forms of its use...

Kittens in their play seem to be using something like our histrionic sensibility. They
directly perceive each other’s actions: stalking an imagined quarry; the bluff and formal
defiance which precedes a fight; flight in terror; the sudden indifference that ends the
play. Their perception of each other’s actions is itself mimetic, a sympathetic response of
the whole psyche, and may be expressed more or less completely and immediately in
bodily changes, postures, and movements.  The soul of the cat is the form of its body; but to some degree the soul is actual in different ways in different moments, depending upon what the cat believes, or make-believes the situation to be...When kittens perceive and imitate the actions of grown cats, the histrionic sensibility is being used for educational, moral (or by analogy) religious purposes: to explore the potentialities of the cat nature and the dimensions of the world in which the cat finds itself...

The Spiritual Exercises of Ignatius Loyola  would seem to be far removed from the play of kittens; yet their purpose is to reveal, through the techniques of make-believe, the potentialities of human nature and the realities of the human situation, as Loyola understood them.   When he explains to the devout how to make present to their feelings and imaginations as well as their reason, scenes from the life of Christ, he  sketches a technique like that which the Moscow Art Theater used to train actors. His immediate purpose is similar: to reveal a scene significant on many levels, and a mode of action capable of evoking a mimetic response of the whole being pp 236-238, The Idea of a Theater, Fergusson

Monday, June 09, 2014

Friday, June 06, 2014

Happy Lee on the mimetic liturgy of the atonement

My wonderful wunderkind  friend  Happy Lee  (check her post on why she's allowing herself to go grey at a young age) posts a very helpful post on the atonement, drawing on Girard's mimetic theory, using James Allison, as well as  Rob Bell's overlooked "The Gods Aren't Angry."   Love that she reminds us of James Alison's line that a  theory is “something you can grasp, whereas a liturgy happens at you.”  

 Go to it:

What if most of what you’ve been taught shifted, bringing all your beliefs crashing down?

When folks say, “I don’t understand how you can believe in a God that demands a blood sacrifice to appease his sense of justice” my initial reaction is to not say much at all.
Mainly, I didn’t have the tools for a...full article here

Saturday, January 04, 2014

Žižek on Christianity as epistemology

Žižek:
“Concerning Christianity, it is not a morality but an epistemology: it says the truth about the sacred, and thereby deprives it of its creative power, for better or for worse. Therein resides the world-historical rupture introduced by Christianity: now we know, and can no longer pretend that we don’t. And, as we have already seen, the impact of this knowledge is not only liberating, but deeply ambiguous: it also deprives society of the stabilizing role of scapegoating and thus opens up the space for violence not contained by any mythic limit.” -God in Pain: Inversions of Apocalypse

Tuesday, April 30, 2013

"Rob Bell, Economies of Desire, and a Megachurch as a Site of Resistance."

James Wellman posted this.  Hope there will be a video:
For those interested, I'm giving the Presidential Plenary for PNWAAR this Friday, May 3rd, at 6:30 pm. at Seattle University. "Rob Bell, Economies of Desire, and a Megachurch as a Site of Resistance."

Here is the gyst:

The Megachurch for most of us is a logical extension of the marketization of religion in a culture suffused by an economy of consumer desire. As they say, “We are all capitalists now.” And so, Christianity must do its best to fit into that model and mode of desire, and it does–it gives us what we need: salvation; hope; heaven; ecstasy; peak performance; a marriage market; religious entertainment, and an outlet for charity. In the midst of our culture of consumption, we consume a religion that fills the needs of our desires. And megachurches are expert at that task. However, Bell’s megachurch, I will argue, reversed that trend; he built in his short tenure at Mars Hill Bible Church, an economy of desire oriented toward community, a way of descent, solidarity with the poor and independence from state loyalties. The question is how did he do it? I would argue this experiment was a kind of sociological miracle. Capitalism absorbs most critics, and in the end, it seems to have absorbed Bell as well. Or, at least, that is one of the questions for this talk.  link

Intersubjectivity: Rene Girard's Vision of Mimetic Desire and Economic Dynamics

 "Intersubjectivity: Rene Girard's Vision of Mimetic Desire and Economic Dynamics" at the Institute for New Economic Thinking's "Changing of the Guard?" conference in Hong Kong. Featured panelists include Edward Fullbrook, Jean-Pierre Dupuy, Mark Anspach, Paul Dumouchel, and André Orléan.link

Wednesday, March 13, 2013

"The Joy of Being Wrong"

An amazing book by Catholic theologian James Allison drawing heavily on  René Girard and: mimetic theory;
and suggesting all theology--especially original sin--must be seen through the resurrection.





René Girard videos: mimetic theory

Wiki:

René Girard


History, desire, conflict, Christianity: on Peter's denial:

Sunday, March 03, 2013

Shakespeare, N.T. Wright and Pink Floyd on bounded/cemtered sets

First, the Shakespeare connection, from the delightfully titled "The Joy of Being Wrong":

Its emphasis on the supernatural is not to the detriment of, but to the empowering of, real, reasonable, discussable, mutable human action....mine is manifestly an understanding that is more congenial to small comparatively powerless groups than to the webs of power which enmesh themselves in planning, the victimary mimetic lies of economic theory, and all the chatter of 'who's in and who's out' (Shakespeare, King Lear, Act V.3, 1.15) -"The Joy of Being Wrong: Original Sin Through Easter Eyes,"  p. 320  (emphasis mine)

Then...N.T. Wright by way of Rich Nathan below. ( Much of this is available here on Google Books here, but a soften, random pages are missing):











All this is....thirdly... soundtracked by Pink Floyd's "Us and Them" (and maybe U2's "No them, only us" version of "One"...see

Monday, July 16, 2012

ceremony masters, tricksters and liminality/mimesis/schismogenesis

Yes, of course we discourage use of Wikipedia as a scholarly source..

 ....but where else will you find this helpful section (it may be someone's thesis), but on the Wiki for "liminality".

I will have fun with this section in developing the role (rôle)of the pastor as "ceremony master/holy trickster in liminal space and time"  (Isn't that my job description? (:  ...add it to the list, along with this and this and this)


Liminal experiences in large-scale societies

The concept of a liminal situation can also be applied to entire societies that are going through a crisis or a “collapse of order”.[46] Philosopher Karl Jaspers made a significant contribution to this idea through his concept of the “axial age,” which was “an in-between period between two structured world-views and between two rounds of empire building; it was an age of creativity where ‘man asked radical questions’, and where the ‘unquestioned grasp on life is loosened’”.[47] It was essentially a time of uncertainty which, most importantly, involved entire civilizations. Seeing as liminal periods are both destructive and constructive, the ideas and practices that emerge from these liminal historical periods are of extreme importance, as they will “tend to take on the quality of structure”.[48] Events such as political or social revolutions (along with other periods of crisis) can thus be considered liminal, as they result in the complete collapse of order and can lead to significant social change.[49]
Liminality in large-scale societies differs significantly from liminality found in ritual passages in small-scale societies. One primary characteristic of liminality (as defined van Gennep and Turner) is that there is a way in as well as a way out.[50] In ritual passages, “members of the society are themselves aware of the liminal state: they know that they will leave it sooner or later, and have ‘ceremony masters’ to guide them through the rituals”.[51] However, in those liminal periods that affect society as a whole, the future (what comes after the liminal period) is completely unknown, and there is no "ceremony master" who has gone through the process before and that can lead people out of it.[52]
In such cases, liminal situations can become dangerous. They allow for the emergence of “self-proclaimed ceremony masters”, that assume leadership positions and attempt to “[perpetuate] liminality and by emptying the liminal moment of real creativity, [turn] it into a scene of mimetic rivalry”.[53]

[edit]Permanent liminality

Turner suggested that “a liminal state may become ‘fixed’, referring to a situation in which the suspended character of social life takes on a more permanent character.”[54] This idea of permanent liminality has been elaborated on extensively in numerous works by sociologist Arpad Szakolczai.

Within the context of ritual passages, a key feature of liminality is the final stage of reintegration, in which the initiand is recognized as a part of the social order and is welcomed into that order with a new role, “stamped by the formative experience”.[55] When this reintegration process does not take place, liminality becomes permanent, and can also become very dangerous. In his bookReflexive Historical Sociology, Arpad Szakolczai argues that there are three types of permanent liminality, each closely related to one of the phases of the rites of passage.[56] He acknowledges that “liminality becomes a permanent condition when any of the phases in this sequence becomes frozen, as if a film stopped at a particular frame”.[57] Szakolczai provides three examples of each type of permanent liminality: “monasticism (with monks endlessly preparing the separation, [representing the first stage]), court society (with individuals continuously performing their roles in an endless ceremonial game, [representing the second stage]), and Bolshevism (as exemplifying a society stuck in the final stage of a ritual passage)”.[58]


Imitation, leadership, and the role of the trickster

Mimesis, or the imitative aspect of human behavior, is an important aspect of liminality.[59] Individuals that are trapped in a liminal situation are not able to act rationally for two reasons: “first, because the structure on which ‘objective’ rationality was based has disappeared; and second, because the stressful, emotive character of a liminal crisis prevents clear thinking”.[60] This can lead to “mimetic” behavior on the part of the trapped individuals: “a central characteristic of liminal situations is that, by eliminating the stable boundary lines, they contribute to the proliferation of imitative processes and thus to the continuous reproduction of dominant messages about what to copy”.[61] Without stable institutions (which are effectively broken down in a liminal period), “people will look at concrete individuals for guidance”.[62]
This notion of imitation is closely tied to that of the trickster figure. The trickster is a universal figure that can be found in folktales and myths of nearly all cultures. These tricksters can be characterized as follows:
[they] are always marginal characters: outsiders, as they cannot trust or be trusted, cannot give or share, they are incapable of living in a community; they are repulsive, as – being insatiable – they are characterized by excessive eating, drinking, and sexual behavior, having no sense of shame; they are not taken seriously, given their affinity with jokes, storytelling, and fantasizing.[63]
In the context of liminality, the trickster is a very dangerous figure: “in a liminal situation where certainties are lost, imitative behavior escalates, and tricksters can be mistaken for charismatic leaders”.[64] This means that in their search for guidance, the individuals caught in the liminal situation might choose to follow a trickster, whom they confuse with a charismatic leader capable of “saving” them. Liminal periods that affect entire societies are characterized by the absence of a “master of ceremonies” (the leadership figures that are supposed to lead the initiands out of the liminal phase), which can in turn lead to the rise of tricksters into positions of power. When a trickster enters into a position of leadership, “liminality will not be restricted to a temporary crisis, followed by a return to normality, but can be perpetuated endlessly”.[65] This can be explained by three important characteristics of the trickster: his lack of a home (the trickster is, by definition, homeless and an outsider), lack of deeply felt human relations, and lack of existential commitments.[66] These traits cause the trickster to have no interest in solving the liminal crisis; “on the contrary, being really at home in liminality, or in homelessness, his real interest lies in its opposite, in perpetuating such conditions of confusion”.[67] On the other hand, the trickster is also a mime. “Imitation, whether in learning or in social activity, is only possible in so far as we are not aware that we are actually imitating…because as soon as we do so, imitation becomes a mere miming and would produce no effect in learning or no pleasure in involvement”.[68] Seeing as the trickster is incapable of “experiencing learning or the pleasure of sociability” as others do, he can be considered a mime rather than an imitator.[69] He thus appears to act just as everyone else does. With this in mind, there are “two characteristics [of the trickster] that under certain conditions could turn to be profitable, even [leading him to gain] unlimited and total power”: “his permanent state of exteriority helps him to think rationally and makes him a good mime: he cannot learn by genuine imitation but learns how to mime others and this produces laughter; thus he receives appreciation that otherwise he would never obtain”.[70]

The term schismogenesis, developed by British anthropologist Gregory Bateson, can be used to describe situations of permanent liminality. Through this concept, Bateson suggested “that societies can be stuck for a long time in a state where the previous unity was broken, and yet the schismatic components are forced to stay together, producing an unpleasant, violent, harrowing, truly miserable existence”.[71] Bateson further suggested that “entire cultures might systematically produce schizoid personalities” and, by combining such an idea with the work of Turner and anthropologist René Girard, one could say that the trickster is capable of founding such a culture. Girard’s concept of mimetic desire (and, more importantly, the phenomenon he called the “mimetic crisis”) can be linked to the trickster and to absence of masters of ceremonies in large-scale instances of liminality:

When a mimetic crisis is artificially staged in the ritual process, it always happens in the presence of a “master of ceremonies” who maintains order once the stabilities of everyday life are dissolved in the rites of separation. When the schism takes place in real life, however, it is not certain that charismatic heroes emerge that are up to solving the situation through eidetic perception, in the Platonic sense.[72]

In any normal situation, the trickster would not be able to gain any appreciation from others, but in a crisis situation (which, as an outsider, the trickster has no emotional connections to), “might come up with a rational way of ‘solving’ the crisis by turning things into his own image”.[73] It is precisely in these situations that “schismatic doubling and copying are escalated, and the erratic, even repulsive, becomes normal”.[74] Once others become aware of the true nature of the trickster’s behavior, it “becomes a genuine problem as a trickster character cannot be altered, so there is genuinely no solution”.[75] It is also not possible for the trickster figure to be punished, as “punishment is only meaningful if there is a chance of correction and improvement, which is hopeless in the case of a trickster character”.[76]
Some examples of trickster figures of 20th century politics include Adolf HitlerBenito MussoliniVladimir Lenin, and Joseph Stalin.[77] Szakolczai describes what can happen when such tricksters emerge in positions of power:
When trickster figures are mistaken for saviors, then emotions will be continually and repeatedly incited, until the community is reduced to a schismatic state. Societies can maintain themselves in such situations of oppression and violence for a long time, without returning to normal order, if stable external referent points are absent. This is why schismogenic societies need to maintain themselves in a perpetual state of war; presumably surrounded by enemies who try to conquer and destroy them.[78]
Thus the culture that is established by such tricksters following their rise to power “can have its structure and persistence, as the negative sentiments of hatred, hostility, fear and envy, based on vital instincts of self-preservation, can indeed maintain in the long term a social order in a relative state of stability”.[79] But in addition, this same society would “preserve, forever, its broken, fragmented, schismatic character”.[80]

Thursday, June 28, 2012

Complete Rene Girard Book and Documentary: "I Saw Satan Fall"

LINK"I see Satan fall"

---------------

 Complete documentary below:
 " On the origin of cultures", introducing some major topics of mimetic theory and René Girard’s thinking.  Notes ny, and HT to. Erik Buys

PART I of the film explores the fundamental role of mimesis (imitation) in human development on several levels (biological, psychological, sociological, cultural). René Girard’s originality lies in his introduction of a connection between this old philosophical concept and human desire. He speaks of a certain mimetic desire and ascribes to it a vital role in our social interaction. It explains our often competitive and envious tendencies. More specifically, Girard considers mimetic desire as the source for a type of conflict that is foundational to the way human culture originates and develops. In his view the primal cultural institutions are religious. Following a sociologist like Émile Durkheim, Girard first considers religion as a means to organize our social fabric, and to manage violence within communities. The more specific question the first part of this documentary tries to answer is the following: where do sacrifices, as rituals belonging to the first signs of human culture, originally come from? How can they be explained? Click to watch: PART II starts off with a summary and then further insists on the fundamental role of the so-called scapegoat mechanism in the origin of religious and cultural phenomena. ART III explores the world of mythology and human storytelling in the light of Girard’s theory on certain types of culture founding conflicts and scapegoat mechanisms. Girard comes to surprising conclusions regarding storytelling in Judeo-Christian Scripture.