Top Ten Godhaunted songs #1: "Wish You Were Here"

This is my first original blog post in YEARS, and inspired by a video my amazing friend  St. Stacy posted a video of a neighbor

 

Stacy and I celebrating our students graduating.

of hers singing Pink Floyd's "Wish You Were Here" on his porch, as (I assume)  a kind of gift to the neighborhood during this eerie "shelter in place."

Many of us are on our codvid quarantine porches wishing

somebody
                 anybody
                                                 was "here";

Even if it's Chris Cornell-style, almost not caring who picks up the distress signal of a  wishful wistful, atheistic theistic,  prayerful unprayer.:

On a cobweb afternoon in a room full of emptiness
By a freeway, I confess I was lost in the pages

Of a book full of death, reading how we'll die alone
Of a book full of death, reading how we'll die alone
Of a book full of death, reading how we'll die alone
And if we're good, we'll lay to rest anywhere we want to go

In your house, I long to beRoom by room, patientlyI'll wait for you there, like a stoneI'll wait for you there, alone

          And on my deathbed, I will pray to the gods and the angels

Like a pagan to anyone who will take me to heavenTo a place I recall, I was there so long agoThe sky was bruised, the wine was bled, and there you led me on

But that's another song.
Or is it?

Chris Cornell  and Roger Waters may be praying to the same You that they wish were here, and that they hope they meet there.

Roger's skies in "Wish" were pain-blue, and Chris' in the song above were bruised
But the song...and the Canopy Maker..remain the same.
Even the Good Book darkness-skies are God's canopy.
And the Floyd song..like all of them.. is dark.

But the  canopy is there...even if appearing bruised.

I challenged Stacy to post  a few reasons...any reason ..why she likes this song.

I can't wait to hear.  She many even know things about the song I don't..and I have been tracking it for 45 years or so,  I bet she even knows about the often-unnoticed  (and much-debated ) throat-clearing cough  towards the beginning that I always hears as a guy waking up and turning on the radio to hear this song, and  eventually play along to it.

 And that man has been me ever since.

To cough is to pray.

My reasons for liking the song are  many.
And some were formed  before Stacy was born.
But I don't even know if I can use the word "like."

• Or love.
• Or "hate"
• Or  "love."
• Or love/hate.

Though they all work.

Maybe the word I need  is "need."

I mean, we all need help putting words to our prayers at times.
Even, especially when the prayer ...as written...doesn't seem to be getting through..

And this song was an integral part of the prevenient-grace mixtape that led me to Jesus (tied with this  24-minute hymn from the Book Of Genesis--I mean, Band of Genesis ),  and part of the strange and heteroclite canon/cannon  of laments  and imprecations that keep me tethered to this Jesus.

Stacy, I might not know you..or Jesus..without this song!
(Do I love or know Jesus?)

And  this blog post is also serving a  public challenge to Stacy to write more; even blog.  Her social media posts can be stunningly moving.  My post today may only be so to me, but I dedicate it to her.

This song.
Where to start?

If by some tragic circumstance you have never encountered this song, may I counterintuitively (Why  not go the unobvious route?) suggest you sample this version filmed in my favorite city, as the song is sensitively interpreted performed by two Jewish men.  If I had been there, and stumbled upon this scene, I would've probably been so transfixed that I'd be transfigured..or still there.  To me, another Jewish Man is always active in the  music of streets of That City.

See you after the break.

Original version. 

When this song came out, and my friends and I first heard it cranked loud on Dan's huge JBL speakers: 

no words.

But let me try several.

I mean, if I can't at least occasionally articulate  the  "inarticulate speech of the heart" about one of my top ten  "Godhaunted songs" (Hi Happy Lee, your song is next)

As most Floydfans know, the album this is found on, and this song, is partly/largely about/addressed to  former  band member Syd Barrett,

As is much (all?) of their material.

Barrett had left the band/been forced out due to his  drug-induced mental ilness, The band tells this chilling story

Syd Barrett's tortured spirit was already hovering over Pink Floyd's ninth studio album, even before he unexpectedly crashed the sessions for Wish You Were Here on June 5, 1975.

Both the emotive title track and shimmering, psychedelic epic "Shine On You Crazy Diamond" were inspired by Barrett, the band's former frontman, with chief writer Roger Waters meditating on themes of isolation and inward escape. So, when the long-absent musician – portly, with distant gaze, shaved head and eyebrows – randomly arrived during a mixing session for "Diamond," the coincidence reduced the band to a mixture of shock and depression.

It's not as if Barrett, Floyd's co-founder and the driving creative force behind their debut LP, 1967's The Piper at the Gates of Dawn, left the band on good terms. His mental instability, erratic stage behavior and addiction to LSD made him a liability, and guitarist-singer David Gilmour was brought in as a replacement.

....Pink Floyd were confused by his presence, assuming he had to be a crew member. But when Gilmour eventually identified their former bandmate, Waters broke down in tears. That June day also happened to be Gilmour's wedding day, so Barrett wandered into the guitarist's wedding reception at EMI. He left without telling anyone, disappearing as strangely as he'd arrived. The experience had a profound impact on the band, particularly Waters, who even incorporated a lyrical reference to the early Barrett-penned single "See Emily Play" on Wish You Were Here.

"I'm very sad about Syd, [though] I wasn't for years," Waters said in 1975. "For years, I suppose he was a threat because of all that bollocks written about him and us. Of course, he was very important and the band would never have f_____ started without him, because he was writing all the material. It couldn't have happened without him, but on the other hand, it couldn't have gone on with him. He may or may not be important in rock 'n' roll anthology terms, but he's certainly not nearly as important as people say in terms of Pink Floyd. So, I think I was threatened by him."

Gilmour, who co-wrote the music to both the title track and "Shine On," has trouble separating these classic songs from his memories of the former Floyd icon. "Although 'Shine On You Crazy Diamond' is specifically about Syd and 'Wish You Were Here' has a broader remit," Gilmour said in the 2012 documentary Pink Floyd: The Story of Wish You Were Here, "I can't sing it without thinking about Syd."

link

-

Finally,  now you are primed to read the lyrics, and weigh who they addressed/redressed to?  Who is your Syd?

You can "never again sing it without thinking about" your "randomly arrived" Syd.

Lyrics:

So, so you think you can tell
Heaven from hell
Blue skies from pain
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?

Did they get you to trade
Your heroes for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
Did you exchange
A walk on part in the war
For a lead role in a cage?

How I wish, how I wish you were here

We're just two lost souls

Swimming in a fish bowl

Year after year

Running over the same old ground

What have we  found?

The same old fears

Wish you were here....

From Song Facts:

• This song is about the detached feeling most people go through life with. It is a commentary on how people cope with the world by withdrawing physically, mentally, or emotionally. In the commentary of The Wall, Roger Waters states that the inspiration was Pink Floyd founding member Syd Barrett and his ordeal with schizophrenia.
• Roger Waters has said this song was based on a poem he wrote about Syd Barrett's fall from reality. It was said that Syd's friends would lace his coffee with LSD, which eventually lead to his mental breakdown. >>
• This was a rare case of the Pink Floyd primary songwriters Roger Waters and David Gilmour mutually collaborating on a song - they rarely wrote together. Gilmour had the opening riff written and was playing it in the studio at a fast pace when Roger Waters heard it and asked him to play it slower. The song built from there, with the pair writing the music for the chorus and verses together, and Waters adding the lyrics.
• The song reflected the feeling of the band while they were recording the album. Waters felt they were not putting a full effort into the recording sessions.
• When this song starts, it sounds like it is coming from an AM radio somewhere in the distance. It represents the distance between the listener and the music.
• Link

Perhaps the most important part and punch of the lyric is the ellipsis; hemistiche, at the end..
Will the wished-for  "you/"You" ever be here?

Who or what is "you"?

Roger Waters has left this open to interpretation, but in various interviews over the years has seen it as

• Syd
• a lover or friend
• his bandmates

and a fascinating and compelling candidate that only hit him later in life;

                                himself.

The Cure can relate.
And so can you.

And Sudzi.

And Soren:

"It is essentially owing to her, to my melancholy and to my money that I became an author.

Now with God's help, I shall be myself.
I believe that Christ will help me to be victorious
over my melancholy" -Soren Kierkegaard ,Journal, 4/19/1848

 I  also dare to believe, even if Waters doesn't believe or admit it..

The You is also
partly
partially God.

Of course at some points in the lyric that You doesn't make sense  (God a  fearful lost soul..
OR DOES IT?

But
The You is also
partly
partially
 God.

Every You in every song  eventually is.

Every wish  ultimately is for the  hereness and nearness of One who doesn't seem here.

Why can't the onmipresence be manifest?

As I once preached from Psalm 22:
"The Lord Be With You...Even When He's Not."

But knowing Floyd, if it is a prayer..

atheism, cynicism and nihilism often win..

"There is no dark side of the moon really.  As a matter of fact it's all dark," 

"Is there anybody out there?"  they once prayed.

                     The expected  answer is no.

Same with the chilling  first set of questions in "Wish".

So, so you think you can tell
Heaven from hell?
Blue skies from pain?
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?

They are not essay answers.
One senses they are multiple choice
  A"Yes"
 or
  B"Hell, no."

B being "right".

But I'm opting for a C: " Both A and B .

Sometimes fuzzy sets are the only

way to pray.

Apophatic is cataphatic.

It's often more classically encouraging to hear U2's  Bono  (Who gives us permission and a decoder to "Turn each song into a prayer")  ask the biblical question "How long?'' since we know the question has a deadline, and is not a dead end.

Maybe Pink Floyd is asking the same question, but from the dark side of the faith.

Such is the hardwon faith that does not bypass lament.



 U2's Dead Man might even Wake Up.
'
Floyd's  deity might remain dead.

But thank God  that God is bigger than authorial intent.

(And bigger than the Boogie Man and the devil, for that matter.)

Waters also may well have meant this as not just about TO or ABOUT Syd, but

 FROM Syd, how HE felt towards

the band (or himself..or God)

I was not yet a committed Christian when I first heard this song; I don't know what you would have called me when the pictured  guys (I'm the one in the T shirt,  And obviously, there is one non-guy with us, but she wasn't part of our gang) in this Upstate New York circle of friends  first experienced it.

I felt it/heard it as my lonely  being awakened,
 It was addressed to myself

                          to my friends 

                                            to Syd

                                                 to a partner I hadn't met yet
and to an unknown God that I somehow knew.

I am intrigued that Waters tended to picture the "two lost souls in a fishbowl" as

two fish, but each in a  separate bowl (this is  perhaps authenticated by cover art on a later single version).

I hadn't felt it that way.

Being two lost souls in the same bowl was lonely enough.  

But at least the two were in it together.

Terrifying to be trapped in a bowl alone, able to see your soulmate in an adjacent bowl.

Year after year.

Covid quarantine, indeed

But until we admit we often live this hellonearth in our "there"  ("Can you tell heaven from hell?."...
We may never experience God as here.

Wish you were here,

• Syd
• friends
• enemies
• Dave
• God

It's all in how you read it,

PS Maybe just watch this guy in video. He's crazy, but he may weel say most of what I just tried to sat better than I just did!: --

Other Pink Floyd posts here.

See related ed "labels" (keyword "topix ) below

Psalms of Lament and Imprecation as Authentic Worship

Fractious, Elegaic Destruction and Redemption While French-Kissing a Light Socket

T shirt link

"Ashes to ashes
 Dust to dust 
 Jesus Christ and Lazarus
 They'd always have faith in the foretold healing.
...

Some buildings are built to be broken
Some buildings appear to be broken
No, I wouldn't have it any other way"-
- link

• What if  the vocalists for Peru Ubu and The Cure went to  Sunday School together, got married, but decided to let their emo child hang out with a proggy post-punk/funk dancer with the "artificially heightened emotions  of Peter Gabriel" ?

• What if their first album  was "fractious,frantic and thrashy, and their second was "spacious, elegiac and grand"?

• What if  their Godhaunted (Godtaunting?) lyrics were "fractured and desperate.. with lucid glimpses of destruction, of tortured love, of struggles for righteousness and redemption"?

• What if the singer was " a gymnastic and flexible frontman who convulses like a man French-kissing a light socket"...The group's live show will leave you sweaty and dumbstruck. "??                                     

• What if they were influenced by the "angular guitar riffs courtesy of Gang Of Four, Big Rock Hooks courtesy of early U2...and recall  Eurotechno Muse "?   And they wound up being  "Convulsing punk-funk brilliance from Leeds"?

Must be the band ¡Forward, Russia!    (¡FФЯWДЯD, RUSSIД!)

           (Can I type that online without getting hacked?)

The band's music has been described as "art rock", "contemporary agit-punk", and "high-octane dance-punk".[7][20][21] When Give Me a Wall was released, the band received comparisons with Bloc Party, while the NME described them as sounding "like a peculiarly English take on emo".[20][22] The band's second album was described by Pitchfork Media as "a curious mélange of studied dance-punk and flailing hardcore".[23]

Jon Pareles, reviewing a live performance from 2006 in The New York Times stated "[their] songs aren't content with verse and chorus; they're packed with incident, and they're propelled by the indefatigable drumming of Katie Nicholls. Instruments unite for muscular, danceable funk, then splay apart like a fist suddenly opening."[24]

Woodhead's vocals were described as "post hardcore operatic screeching".[25]

Seattle Weekly:

..dramatic and unique. Driving melodies and math-rock rhythms found throughout drive the musical complexity of the group and the album...

The maelstrom of sound behind vocalist and keyboardist Tom Woodhead isolates the piercing clarity of his voice. When he shoots into falsetto, Only rarely will he allow himself to dip into the frenzy, but when he does the raw desperation is poetic.

Their sound is one thing, fairly easy to understand and enjoy, but the themes are something else entirely.

The lyrics can seem nonsensical and disconnected at times, but when taken in context of the song and album as a whole, are impressive. As a concept album describing the facets of life — from fear to love to hate to confusion to acceptance — "Life Processes" has a literary quality and tries to be exactly as it's named.  link

Ink19:

dramatic and verbose. Religious icons, regret, pitchforks and satellites all somehow find their way onto the album without sounding false, which is saying something after a debut that didn’t even have song titles.  link

Drowned in Sound:

Despite being a cliché of the laziest type, the idea of the ‘difficult’ second album is one that has endured simply because so many bands seem to be unable to avoid falling into its trap. Leeds’ ¡Forward Russia! launched themselves into so many people’s hearts two years ago with Give Me A Wall, an album so tightly coiled that every one of its enigmatic songs seemed to be bursting under the force of its own tension. It was a collection of songs defined by the whip-crack of drummer Katie’s snare and hi-hat, which meant that while it was instantly recognisable as part of the post-DFA dance/punk buzz it stood out enough for it to be a still-stunning work that can justifiably be called of the best debuts of the century so far.

And Life Processes is by no means a sequel; it feels more like the work of an entirely different band.

 ...the lyric “Did you ever study the Israelites? / They made a new life for themselves with such a peculiar change” – is anyone really going to be able to reply in the affirmative? ..

The real gem of the album. ‘Spanish Triangles’ has already been unveiled – all nine minutes of it – but it demonstrates a stunning calmness and fluidity. It builds slowly, powerfully but effortlessly, growing organically into itself. It’s worth noting that ‘Gravity & Heat’, for example, is almost three minutes shorter but feels much longer – ‘Spanish Triangles’ is the real culmination of their work post-…Wall and stands as the impressive, brilliant centrepiece. And ‘Don’t Reinvent What You Don’t Understand’, one of the shortest songs on the album, managed to move from one-two dance-punk to something undeniably epic, helped no end by Whiskas’ chiming guitars that seem air-lifted in direct from Explosions In The Sky’s Those Who Tell The Truth… era. And ‘Some Buildings’ is a three-minute lament stretched gloriously out for almost seven minutes, again given the chance to breath and mutate on its own. It doesn’t cut right to the feet like their earlier material but instead takes up residence in the gut, and by the third time you hear it all doubts will be blown away.  link

Did you ever study the Israelites?
They made a new life for themselves
With such a peculiar change
A key geographic or dietary switch
Could do just the same for us
 
So don't go draw the blinds link


Well, I came late to this band.  They're either broken up or on hiatus (re-emerged in 2013-14 and disappeared again).  So I'll load this  shamelessly clickbaited headline and post with review excerpts hoping to catch a critical mass of folk who will hear, pray and beg the band to at least make their third massive critical album.  Because, as  is said of the  pregnant and potentially prescient second album:

the end result, though diverting, is a slightly uncomfortable mid-point between the two albums. And Life Processes could quite possibly be a transitional album, a first step in a bigger, bolder direction that doesn’t quite let go of Give Me a Wall‘s quirks;

only time will tell.....  link

Where are the bandmembers now? 

The literate singer/lyricist/brainchild ...

The only  walking thesauraus 
(and from the Bono school of stealth-embedding Bible references in lyrics)
 capable of a lyric like.. 

"Choose life/

We all can lean on figures and crutches/

It's such an easy thing to do when you're so unaware/

We all can change our tegument's function/

Replace the outer shell with something more neoteric link

...now runs a  mixing studio , and seems to run the band's active Facebook page.  I hope he is  life is happy and his tegument is neoteric.

 

link

The  drummer  (I hope Rolling Stone has included her in its list of drummers to know (See: "A drummer so badass he makes Keith Moon sound like your mom playing Rock Band. (Ghost of Keith Moon, please don't haunt us).".

She says:

“Working at college is great. I get the same holidays as the teachers, and the kids are so funny. Sometimes I interrupt them when they’re talking about music, and they look at me as if to say, ‘As if you know anything!’”  link

The guitar player (brother to the drummer) is now part of  Duels.

The bass player?  Someone thought this was his Twitter.  I'm not sure it is: but the bio is priceless: "Father. Husband. Guy who poops."

Maybe someday they will Google themselves, 
                  find this post, 
                            and come back for more.

In the meantime, enjoy this Spotify sampler  playlist.
(I  didn't check his  vital Spotify playlists, but I bet Paul Leader already knows about this band ). 

Some vintage video interviews here.

We are becoming devoted children
And I am becoming like all good children
Yes we are becoming devoted children
We are set in our ways

As God turns away

Then this is a standard of silence
That you can expect to receive
All discontentment reduced and surrendered
Sub-parity
They are bleeding the night
Bleeding the night
Bleeding the night for themselves  link