Showing posts with label synesthesia. Show all posts
Showing posts with label synesthesia. Show all posts

Thursday, July 16, 2015

we're all synesthetes now: Reify and songs as 3D printed sculptures

From WIRED:

What Songs Look Like as 3-D Printed Sculptures


PEOPLE EXPERIENCE ART IN specific ways: looking at paintings, hearing music, tasting food. Unless you’re a synesthete like Kanye who sees rap songs as colors, this is how it works. But what if you could see music—not as a video or a performance, but a physical object? And what if that object could play the music back for you?
That’s the goal of Reify, a startup from New Inc’s incubator that is Kickstarting its first project. Lead by Allison Wood and Kei Gowda, Reify turns sound waves into 3-D printed sculptures that play the sound back with an augmented reality app. Wood started the company to explore digital synesthesia, a technologically augmented version of the skills Kanye and other syntesthetes were born with.
Music was a natural place to start. Wood began  continued

Thursday, May 07, 2015

the transcendence and tragedy of analogy: what's a meta for?

I am enjoying Hoftstader's  new book (with Emmanuel Sander) "Surfaces and Essences: Analogy as the Fuel and Fire of Thinking," though it seems none of his late-career books will top/topple the Pulitzer-winning Gödel, Escher, Bach,( This review even offers an analogy/metaphor about why this book about analogy isn't quite as classic as some of his others..Touché!)

Video previews below.

Amazon blurb:
Analogy is the core of all thinking.
This is the simple but unorthodox premise that Pulitzer Prize–winning author Douglas Hofstadter and French psychologist Emmanuel Sander defend in their new work. Hofstadter has been grappling with the mysteries of human thought for over thirty years. Now, with his trademark wit and special talent for making complex ideas vivid, he has partnered with Sander to put forth a highly novel perspective on cognition.


We are constantly faced with a swirling and intermingling multitude of ill-defined situations. Our brain’s job is to try to make sense of this unpredictable, swarming chaos of stimuli. How does it do so? The ceaseless hail of input triggers analogies galore, helping us to pinpoint the essence of what is going on. Often this means the spontaneous evocation of words, sometimes idioms, sometimes the triggering of nameless, long-buried memories.
Why did two-year-old Camille proudly exclaim, “I undressed the banana!”? Why do people who hear a story often blurt out, “Exactly the same thing happened to me!” when it was a completely different event? How do we recognize an aggressive driver from a split-second glance in our rearview mirror? What in a friend’s remark triggers the offhand reply, “That’s just sour grapes”? What did Albert Einstein see that made him suspect that light consists of particles when a century of research had driven the final nail in the coffin of that long-dead idea?


The answer to all these questions, of course, is analogy-making—the meat and potatoes, the heart and soul, the fuel and fire, the gist and the crux, the lifeblood and the wellsprings of thought. Analogy-making, far from happening at rare intervals, occurs at all moments, defining thinking from top to toe, from the tiniest and most fleeting thoughts to the most creative scientific insights.


Like Gödel, Escher, Bach before it, Surfaces and Essences will profoundly enrich our understanding of our own minds. By plunging the reader into an extraordinary variety of colorful situations involving language, thought, and memory, by revealing bit by bit the constantly churning cognitive mechanisms normally completely hidden from view, and by discovering in them one central, invariant core—the incessant, unconscious quest for strong analogical links to past experiences—this book puts forth a radical and deeply surprising new vision of the act of thinking.

Also on the primacy of analogy/metaphor, I am  rereading of Eugene Peterson's "Eat This Book," where  he can talk about metaphor being simultaneously so holy that it “signals transcendence an encounter with the One who speaks everything into being’ (98), and also call it “literally a lie” (94)

I remember Cytowic's conclusion the brain only thinks in/as/by/through.to metaphor.

see also:



  • Book Trailer
    :

    Monday, August 25, 2014

    the "elegance of language" allows a crude "loud fart": prophetic paranomoasia and structural synesthesia in Isaiah 5:7

    The  multiplex literary canvas of Isaiah 5 includes the well-known  verse 7 phenomenon of...well, a very little-known literary term,  paranomoasia (Paronomasia - Merriam-Webster Online).
     You might call it a pun or a play on words; but hey, impress your friends by calling it a proleptic and prophetic  paranomoasia.  Or   "paranomoasia plus"  (:





    I looked for justice,  but I saw oppression.
    I looked for  righteousness, but I heard an outcry (of pain).

    justice   (A)                           oppression  (B)
    righteousness  (A)                 outcry   (B)

    --

    Jim posts:

    Since I’m presently working on Isaiah for the series it’s only natural that I’d wind up in Chapter 5 with it’s stunningly beautiful pun

    לְמִשְׁפָּט֙ וְהִנֵּ֣ה מִשְׂפָּ֔ח לִצְדָקָ֖ה וְהִנֵּ֥ה צְעָקָֽה׃

    God looked for justice (mishpat) but only saw oppression (mispach). God looked for righteousness (tzedakah) and instead he heard an outcry of pain (tz’acha).
    This pun is virtually impossible to render in English. The Common English Bible tries, but meets the same resistance as every other rendition has-
    God expected justice, but there was bloodshed; righteousness, but there was a cry of distress!
    The REB is essentially the same. What this shows, it seems to me, is that the rendition of puns from one language to another is excessively difficult. Perhaps translators, and especially commentators, should indicate the pun in transliteration in a footnote or in their comments so that readers of English can at least have some sense of the beauty and brilliance of the underlying original. link



    Or try this on:

    and he looked for justice — Both the administration of justice by magistrates, and justice in the dealings of the people with one another: but behold oppression — From the powerful upon their inferiors; and for righteousness — For equity, mercy, and benevolence; but behold a cry — From the oppressed, crying to men for help, and to God for vengeance. “The paronomasia, or play on the words, in the Hebrew, in this place, is very remarkable;mispat, mispach; zedakah, zeakah. There are many examples of it in the other prophets; but Isaiah seems peculiarly fond of it. The rabbis esteem it a great beauty: their term for it is, elegance of language.” Bishop Lowth, in Benson Commmentary

    I have color coded the words above to highlight the obvious contrasts between what God was looking for, and what he found.  This the vertical connections:

    Justice                                           oppression
    righteousness                                  ":cry 

    But  once one reads the above in the original Hebrew, it;s clear the color-coding should (also) work horizontally:

    mispat                                            mispach

    zedakah                                         ze'akah

    AA
    BB



    I keep expecting this to create a chiasm; but it's   a powerful punch of a  paranomoasia  kind of parallelism.

    And to reinforce the contrast, another striking feature: a kind of structural synesthesia in the league of Revelations 1:8's  "I turned to see the voice."
    Did you notice the (literally) non-sensical:


    I looked for justice,  but I saw oppression.
    I looked for  righteousness, but I heard an outcry (of pain).

    How do you hear something you're looking for??
    (See Webb's "The Divine Voice" and Cytowic's "The Man Who Tasted Shapes")

    Brueggemann quips about this exact literary/thematic connection and it's practical application:,"This comes as close to a  synergism as a Calvinist could want" (Using God's Resources Widely," p. 49; he also spins this out in another article.
    The prophetic pronouncement is devastating. And it took a lovely literary "elegance of language" to provide the ugly practical app.  The words must have landed like...well, in Eugene Peterson's classic line about  yet another poetic device, metaphor... " a loud fart in the salon of spirituality."



    Being quite steeped in Scripture (and known to love Isaiah), I think Bono nodded to Isaiah's pun (and maybe a line from a Jackie Pullinger book)  in his live introduction to "Last Night on Earth"  (See  "I wanted to know Jesus, but you gave me a library").

    Sunday, August 10, 2014

    Eugene Peterson on Psalm 40: pastors are blockheads, God digs ears, Virgin Mary's surprising organ, we hear with eyes

    I have been reading Eugene Peterson since...well, before you were born. (:

    Due to a providential fluke (theologians call it a 'pruke'), I'm recently taking a  re-look at an early  (1987)   EP masterpiece (how many does he have?)  "Working The Angles: The Shape Of Pastoral Integrity."   It was only his fifth book (as of this year he has published  13,567,998...and they're all good).  As often with folks like this, he was prophetically  (and proleptically) ahead of his time..

    He begins his "pull no punches" beginning as early as the first page:

    "[Many American pastors] have gone whoring after other gods. What they do with their time under the guise of pastoral ministry hasn’t the remotest connection with what the church’s pastors have done for most of twenty centuries” (page 1)

    But the section I want to quote extensively below stands out for several reasons.
     (And since this  was written  long before Peterson became a Bible translator himself ..The Message Bible was 2002...,I would be fascinated to hear to ask him why his older self eventually chose to ignore his own  younger self's  advice re: translating Psalm 40:6 in a way that "is not to be countenanced"!

    On with it:

    Turning Eyes into Ears

    A brilliantly conceived metaphor  in Psalm 40:6   provides a pivot on which to turn the corner; literally it reads: "ears thou hast dug for me" (azenayim karîtha lî). It is puzzling that  no translator renders the sentence into English just that way They all prefer to paraphrase at this point, presenting the meaning adequately but losing the metaphor: "thou hast given me an open ear" (RSV) . But to lose the metaphor in this instance is not to be countenanced; the Hebrew verb is "dug."

    Imagine a human head with no ears. Where ears are usually found there is only a smooth, impenetrable surface, granitic bone. God speaks. No response. The metaphor occurs in the context of a bustling religious activity deaf to the  voice of God: "sacrifice and offering thou dost not desire . . . burnt offering and sin offering" (40:6). How did   these people know about these offerings and how to make them? They had read the prescriptions in Exodus and Leviticus and followed instructions.  They had become religious. Their eyes read the words on the Torah page and rituals were formed.
    They had read the Scripture words accurately and gotten the ritual right. How did it happen that they had missed the message "not required"?  There must be something more involved than following directions for unblemished animals, a stone altar, and a sacrificial fire.  There is God speaking and must be listened to.But what good is a speaking God without listening human ears? So God gets a pick and shovel and digs through the cranial granite, opening a passage that will give access to the  interior depths, into the mind and heart.  Or–maybe we are not to imagine a smooth expanse of skull but something like wells that have been stopped up with refuse: culture noise, throw-away gossip, garbage chatter. Our ears are so clogged that we cannot hear God speak.  God, like Isaac who dug again the wells that the Philistines had filled, redigs the ears trashed with audio junk.

    The result is a restoration of Scripture: eyes turn into ears. 
    The Hebrew sacrificial system included reading from a book, but the reading had degenerated into something done and watched.  The business with the scroll was just part of the show, a verbal ingredient thrown into the ritual just because the recipe called for it.  Now with ears 
    newly dug   in the head of this person, a voice  is heard calling, inviting.  The hearer responds, "Lo, I come, in the roll of the book it is written of me; I delight to do thy will, O my God; thy law is within my heart  (40:7-8).  The act of reading has become the act of listening.  The book is discovered to have a voice in it directed to the reader-become-listener: 'it is written of me.'  The words on the paper that were read with the eye are now heard with the ear and invade the heart:
    'I delight to do thy will.. thy law is within my heart.'   God's word ("thy will"), which had been objectified in a written word ("thy law"), now is personalized in an answering and worshiping word ("my heart"). The act of reading becomes an act of listening.  What was written down is revoiced:'I have told the glad news..I have not restrained my lips ' (40:9) No longer is God's word  merely written, it is voiced.  The ear takes over from the eye and involves the heart..

    ....Listening is back.  The dynamic sequence has been restored.  The psalm began with God listening: "I waited patiently for the Lord.  He inclined and  
    heard my cry."  Now the psalmist listens. God has  has dug through his thick skull and opened a passage for hearing. The living voice of God is attended by the human ear. The consequence, as always when God's word works, is gospel ("glad news of deliverance," "thy saving help"; 40:9, 10) It was a medieval commonplace that the organ of conception in the Virgin Mary was the ear. 

    ...Can any pastor in good conscience  be content to leave the written words of Scripture  on the page for the eye to read?   Our business is with ears: 'O learn to read what silent love hath writ/To hear with eyes belongs to love's fine wit. To hear with eyes belongs to love's fine wit.' {Shakespeare}
    -Eugene Peterson Working The Angles: The Shape Of Pastoral Integrity, pp. 70, 73

     




    Wednesday, February 05, 2014

    holy blending...just do it


    "Jesus never opened his mouth without a parable coming out," (Matt 13:34-5)

    “The greatest thing by far is to be master of analogy....it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars.”
    (Poetics, 1459 a 5-8, "The Basic Works of Aristotle")



    "If genius is the ability to see analogy;
    certainly madness is the ability to see analogy where none exists." -Mike Nesmith

    ---


    One of the most important disciplines for stretching your brain and creating creativity is

    ...whatever you want to call it:

    • "looking for the unobvious" connections between two things
    • reading, engaging parables that compare/contrast
    • making a song mash-up of two songs
    • seizing synesthesia
    • making metaphors
    In light of this photo by Brant Hansen 
    (great blogger, hope he starts again), I have a new metaphor for
    this whole metaphoring discipline:
    holy blending

    The look on the blender's face reminds me of the look on the faces of some students who at first think they can't do it/don't want to do it.
    Usually, it's more fun than they thought.

    Go to it.  Blend two items that you don't think blend well...


    Wednesday, November 13, 2013

    my pet S-words

    This is no skubala: several of my areas of study are "S-words"
    I bet no one has ever preached a sermon with an alliterative outline like this:
    • simulacra
    • semiotics/signs
    • synesthesia
    • set theory
    • Sephardic
    • sound theory
    • Sapir-Whorf hypothesis
    •  
    • string theory
    • Spirit Christology
    • Spanish Language and Culture (my major)
    • Second Corinthians
    • Second Timothy
    • Sermon on the Mount
    • self-disclosure
    •  
    • sexuality/spirituality
    • subversion
    • structure of Matthew
    • subversion
    • Second Temple Judaism

    Friday, October 11, 2013

    temptations: leaping their scattergories and not to be listened to...and feeling hunger/beauty as pain

    Among the interesting takes Anne Rice weaves into her "Christ the Lord:   The Road to Cana" account of Jesus experiencing the temptations in the wilderness is that she seems to suggest a "cross-mingling" (synesthesia?) of the temptations.

    I have spent so much time with students on the taxonomy of the individual "testations" (see chart below, and these links : Timelines and Testations: Jesus, Sexonomics and Facebook  
    that Jesus experiencing
    hunger during the temple temptation got me thinking about how temptations can comingle/cotempt:

    .. I stopped short at the edge of the parapet of the Temple, the Temple in Jerusalem, under the huge sky, and above the enormous crowds of those who wandered in and out of it. I was standing on the pinnacle. I was looking down into the vast lower courts.


    The sounds and scents of the crowd rose up in my nostrils. I felt the hunger so deeply it was a pain. And out on all sides lay the rooftops of Jerusalem while the people swarmed below in its tangle of narrow streets.


    "Look on all this," he said beside me.
                 (read the whole chapter here....even though it claims a copyright, not sure it's a legal site, if Rice wants me to remove the link, I will) .


    For fun...and to learn something, the other night  I had students fill in some blanks in a non-graded "pop quiz".  I knew the results would be intriguing...and you can see which answer caused me to literally LOL..when I included this "fill in the blank":


      Every temptation, at heart, is about __________.

    Would anyone put "power?"  (yes!)
      If i had clarified "Every temptation of Jesus," would anyone have put "to operate out of his divine nature and not his human nature?

    a few answers:


    • forgiveness
    • power
    • selfishness
    • choice 
    • desire
    • "I don't listen to The Temptations"
    But of course, that last answer may well be profound..if all temptations (and all of life...and according to string theory, all of the universe) are sound- based and maybe sound-activated.  See Webb's "The Divine Voice"!

    Also..

    I also love Jesus' line in Rice:

     I felt the hunger so deeply it was a pain.


    It connected me to two lines in  Rice's delightful "Called out of Darkness: a spiritual confession":

    • "It's important to stress here  that my earliest experiences involved beauty...things which evoked such profound feeling in me that I often felt pain. (6)
    • "I remember thinking, tiny child that i was, that this was so incredibly beautiful that it hurt me"(16)

    I love so much that Jesus was human.

    A I asked the same class:
    "The Bible says that Jesus was able to do miracles because He was ___________"

    Check out there answers.
    Note again a brilliant offbeat answer (by the same person who doesn't listen to The Temptations"):



    I was hoping at least one would give the best answer.

    Hardly anyone ever does..

    Look up the Scriptures (or the third question here) if you're wondering...



    Tuesday, May 07, 2013

    Scripture and sex: semiotics, simulacrum, synesthesia, Sapir-- skubala or shekinah?

    People sometimes ask me if all the violence in "The Matrix" doesn't bother me.

    Part of my answer is "What violence?"....because I tend to translate it all to spiritual warfare (which is appropriate on one level and problematic on another).

    No one has yet asked me if the steamy sex scene  between Neo and Trinity in the second Matrix film bothers me.

      So thanks for asking.

    Part of my answer would be "it does"  (and it was a cheap grab for ratings).
    But again I tend to see it as also  a spiritual representation (Neo=Jesus or EveyChristian  and Trinity  as Trinity, Holy Spirit  or church).



    But if Bell's definition of sexuality is at all close, then  everything is sexuality....especially spirituality.



    Of course, everything is also inevitably semiotics.

    In a great book about semiotics (that strangely doesn't mention Leonard Sweet, who  literally wrote the book on evangelism and semiotics), Crystal Downing , in a section called "Sex and the Simulacrum," writes:


    the change in sexual signs has been noted...in one college textbook: 'sexual desire is no longer a response to a person whom we meet and  know face-to-face.  Rather, sexual desire is stimulated by images promulgated by the media, and we strive to remake our bodies to fit these images." People have this substituted imaged for reality, submitting themselves to what cultural critic Baudrillard calls 'simulacra': copies of reality for which no original exists...Ironically, our culture's obsession with the body often leads to a denial of the body, offering simulacra instead. -p. 276





    T-Bone Burnett  (or at least his image) might suggest that
                        all sex is image to image.

    All sex is semiotic simulacra..virtually virtual..really

    It doesn't take much trainspotting to catch the simulacra references in The Matrix:

    .


    The Matrix makes many connections to Simulacra and SimulationNeo, is seen with a copy of Simulacra and Simulation at the beginning of the story. He
    uses the hollowed book as a hiding place for cash and his important computer files, however, Neo's hollowed copy of the book has the chapter "On Nihilism" in the middle, not at the end of the book, where it is in reality.  uses the hollowed book as a hiding place for cash and his important computer files, however, Neo's hollowed copy of the book has the chapter "On Nihilism" in the middle, not at the end of the book, where it is in reality. Morpheus refers to the real world outside the Matrix as the "desert of the real", a reference to Baudrillard's work. In the original script, Morpheus specifically referred to Baudrillard's boo link

      Ironically, the Matrix's use of Baudrillard may be an "copy of which the original no longer exists." The same article notes

     however, in an interview, Baudrillard said "The Matrix" has nothing to do with his work. 




    If everything is creative analogy, 
             and everything is sexuality, 
                                           then there will of course be a 
                              sex and synesthesia (which itself is all about  creative analogy) connection.

    Downing on the tendency to  semiotcally gnostisize sex and the body


    Marcion, the second century bishop..went so far as to denounce the incarnation calling it a 'disgrace to God' because the human body is 'stuffed with excrement'


    Huh? Skubala  disqualifies incarnation?  That itself is skubala!

    Let's instead consider things holistically and pursue the sexuality and SHEKINAH .interface.



    And the fact that language about sexuality is semiotic and  sign-ificant:

    Western culture today seems obssesed with the body, especially the sexualized body.  The popularity  of 'sexting' has   lead to a new kind of crime, "sextortion"...-Downing

    New words create  new realities (Sapir-Whorf).

    Since new words can create new  crime, and new crime words..

    ..can't they also   creative creative language and creative inkingdomedness?

    Where does this all lead: obsexxion?

    Or to Jesus,

      Pepsi, Sex, Elevation...& Mission Trips That Are Actually Missional

    ..and asking ourselves why we can't at least ask  'banned" questions?

    Most readers here will be familiar with Len Hjalmarson's important blog:




    ..if the new earth is really a restoration and renewal — a new paradise — this time a garden city –
    a place of peace, fulfillment and new creation –
    a restoration of paradise and innocence (in the best sense) –
    How could it be all this apart from new creation in humans and animals? In other words – is there no sexual union in the kingdom? No children? No new people, just we resurrected or restored ones?  -sex and the kingdom 




    Thursday, May 02, 2013

    simultaneous perception and epistemology/synsethesia/simulacra of the city

    Tony Hiss coined the phrase simultaneous perception in his  presceient 1990 book The Experience of Place: A New Way of Looking at and Dealing With our Radically Changing Cities and Countryside.

    The introduction and first chapter are invaluable (read here..just a few pages missing)  in discerning a "full-sensed" epistemology of the city.
    I am making connections to synesthesia and simulacra (well, an "even worse than the real thing"  anti-simulacra: “A damaged experience is not only numbing; over time we can begin to mistake it for the original.”)


    For example:

     It alters what I know about my surroundings and about whatever is going on around me, and at the same time modifies my sense of what all these things mean to me. The change - one that is reasonably well known to all of us, or is at least lodged somewhere in our memories-lets me gently refocus my attention and allows a more general awareness of a great many different things at once: sights, sounds, smells, and sensations of touch and balance, as well as thoughts and feelings." (3)



    ---------------------------------------------











    The Experience of Place  (promo blurb):
    Hiss uses the experience of place to help us understand how profoundly we are affected by the places around us. By bringing together the insights of planners, ecologists, psychologists, and environmentalists, he explores how our experiences in public places can restore our connection to our senses. Hiss uncovers why some places – the concourse of Grand Central Terminal or a small farm or the corner of a skyscraper – affect us so mysteriously and so forcefully. In doing so, he demonstrates how our society can continue to grow without destroying the places that have nourished it for generations – how we can design changes that, rather than harming us, will enhance our future lives.

    Excerpts

    “A damaged experience is not only numbing; over time we can begin to mistake it for the original.”

    “Conscious noticing of what we’re experiencing, once we get back the hang of it, can be a common denominator, a language of connectedness between social, environmental, and economic concerns. Using the things we know or sense about places but seldom put into words, we can bring all our minds to bear on the problems of how our communities, regions, and landscapes should change.”

    “Until recently, when people spoke about a vivid experience of a place, it would usually be a wonderful memory, a magic moment at one of the sweet spots of the world – an orange sunset over a white sand beach; or hearing the soft hooting of an owl while standing in a moonlit meadow; or standing up for one minute during the seventh-inning stretch of a sold-out playoff game at Fenway Park in Boston; or walking up Fifth Avenue in New York at Christmastime, dodging past roast-chestnut and hot-pretzel vendors, and catching a glimpse of the two stone lions in front of the Public Library, with fresh snow on their gray manes and big wreaths around their necks.”

    “These days people often tell me that some of their most unforgettable experiences of places are disturbingly painful and have to do with unanticipated loss. Sometimes there’s less to see or hear or do in a place: the curving road in front of an old suburban house, for instance, gets straightened and widened, and suddenly a favorite grove of oaks or pines that the winds whistled through is chopped down and paved over. In the center of a big city, people who have been used to window-shopping from the bus on the way home from work find that they can’t look out the bus windows at night anymore because these now have a dark-green or bronze tint – and then, squinting tight, they realize there are no longer any store windows to see, because they have all been covered over by steel grates.”

    “Today, often without even realizing it, four out of five Americans have moved into a new kind of home – metropolitan areas. And it looks more and more likely that, twenty years from now, those numbers will be closer to nine out of ten. America has had cities and suburbs for more than a hundred years. What’s new about today’s metropolitan areas is that, whether we wish it so or not, within each new metropolitan area the economies, the social problems, the environments – the destinies – of all cities and suburbs are tightly linked. They need each other to prosper, and by themselves they can’t solve either the problems we already know about or those that the 21st century will inevitably dump in our laps.”  Link


    ---------------------------------------------
    Later book:
    "How We Travel"

    Tony Hiss, "Deep Travel":
    In Motion: The Experience of Travel:

    Wednesday, March 13, 2013

    holy synesthesia happens at El Pollo Loco

    Even  El Pollo Loco Mexican Restaurant gets  the idea of synesthesia.

    (maybe it's the chicken [=pollo] connection; or the spanish connection)

    Hope a full blown theology of  holy synesthesia will happen soon.

    I can taste the shape of it now!

    See:
     Jesus had holy synesthesia and wants to infect us ...

    and posts tagged synesthesia below

    Tuesday, December 11, 2012

    a post about sex...and "Women, Fire, and Dangerous Things"

    I have been accused of being obsexxed with posts about sexuality.


    A quick look number of posts by category ( "labels' )...see graph at top right under "Topical Diving" suggests otherwise.  Looks like I may be obsessed with the "role of the pastor" or "ecclesiology." (or U2!)
    But that's all  about sexuality,too...right? (:

    To those who worry about this obsexxion:.

    First of all, it shouldn't be surprising to catch posts on sexuality here; as the header at the top of the page explains that such is one of six overall categories that this blog will specialize in.

    Secondly, if  Bell is right, then I can't not talk about sex:

    For many, sexuality is simply what happens between two people involving physical pleasure. But that's only a small percentage of what sexuality is. Our sexuality is all the ways we strive to reconnect with our world, with each other, and with God." (Rob Bell, "Sex God," p. 42)...

    Part of my passion is to play with the intersection of topics that don't seem related.  Tim N.  calls it my

     "pushing toward the unobvious"  


    So, with any topic that I study, I will eventually and inevitably ask:
    "What does that haveto do with the price of tea in.."
                          uh, I mean
    "What does that have to do with sex(uality)?"

    If you folllow freakonomic theory, the answer will likely be "quite a bit."

    You'll see that many of my pet topics just happen to start with "S" (hey, maybe that's the sole reason that "sexuality" shows up here(:..):
    • Synesthesia
    • String theory
    • Sound Theory
    • Set Theory
    • Sapir-Whorf Hypotehsis
    • Semantic domain

    • Sexuality
    These may of course seem unrelated, but they can't be.

    Asking how any of them intersect is fruitful.
    Asking how any of the  first six intersext with the seventh may be fruity...and/or cutting-edge research.
    After all, this post, and every post, is

    a post about sex.

     (see Maybe it's ALWAYS about sex and politics).


    Of course, anyone in this blogneigborhood realizes that the whole idea of a list  of "unrelated" topics
     is an invitation  to test Aristotle's thesis:

     “The greatest thing by far is to be master of analogy....it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars.”(Poetics, 1459 a 5-8, "The Basic Works of Aristotle") See: "St Mike Nesmith on genius and madness"
    Now, onto the topic of the day...which may seem unrelated, but of course will be:


    Women, Fire, and Dangerous Things

    What was your first thought upon reading that phrase?

    Didn't you smile and say something like "Yeah, women are dangerous things!"

     BUT..

    The phrase did NOT read:

    Women, Fire, and Other Dangerous Things


    Why did you make that assumption?


    The phrase--which is a book title--is of course as set up for us to think about our thinking (and then rethink it).  How/why  does our mind categorize? The book, by  George Lakoff deals with ...well,cognitive linguistics (zzzz?), with a classic example being the categories of the title: s.


    The Importance of Categorization

    Many readers, I suspect, will take the title of this book as suggesting that women, fire, and dangerous things have something in common--say, that women are fiery and dangerous. Most feminists I've mentioned it to have loved the title for that reason, though some have hated it for the same reason. But the chain of inference--from conjunction to categorization to commonality--is the norm. The inference is based on the common idea of what it means to be in the same category: things are categorized together on the basis of what they have in common. The idea that categories are defined by common properties is not only our everyday folk theory of what a category is, it is also the principal technical theory--one that has been with us for more than two thousand years.The classical view that categories are based on shared properties is not entirely wrong. We often do categorize things on that basis. But that is only a small part of the story. In recent years it has become clear that categorization is far more complex than that. ... One of our goals is to survey the complexities of the way people really categorize. For example, the title of this book was inspired by the Australian aboriginal language Dyirbal, which has a category, balan, that actually includes women, fire, and dangerous things. It also includes birds that are not dangerous, as well as exceptional animals, such as the platypus, bandicoot, and echidna. This is not simply a matter of categorization by common properties, as we shall see when we discuss Dyirbal classification in detail.  lakoff, Chapter One, pages 5-8 here, see also first  two chapters complete   on PDF here



    ...An excellent example is the classification of things in the world that occurs in traditional Dyirbal, an aboriginal language of Australia. The classification is built into the language, as is common in the world's languages. Whenever a Dyirbal speaker uses a noun in a sentence, the noun must be preceded by a variant of one of four words: bayi, balan, balam, bala. These words classify all objects in the Dyirbal universe, and to speak Dyirbal correctly one must use the right classifier before each noun. Here is a brief version of the Dyirbal classifcation of objects in the universe, as described by R.M.W. Dixon (1982):
    • Bayi: men, kangaroos, possums, bats, most snakes, most fishes, some birds, most insects, the moon, storms, rainbows, boomerangs, some spears, etc.
    • Balan: women, anything connected with water or fire, bandicoots, dogs, platypus, echidna, some snakes, some fishes, most birds, fireflies, scorpions, crickets, the stars, shields, some spears, some trees, etc.
    • Balam: all edible fruit and the plants that bear them, tubers, ferns, honey, cigarettes, wine, cake.
    • Bala: parts of the body, meat, bees, wind, yamsticks, some spears, most trees, grass, mud, stones, noises, language, etc.
    It is a list that any Borges fan would take delight in.

    The fact is that people around the world categorize things in ways that both boggle the Western mind and stump Western linguists and antropologists. An excellent example is the classification of things in the world that occurs in traditional Dyirbal, an aboriginal language of Australia.

    The classification is built into the language, as is common in the world's languages. Whenever a Dyirbal speaker uses a noun in a sentence, the noun must be preceded by a variant of one of four words: bayi, balan, balam, bala.These words classify all objects in the Dyirbal universe, and to speak Dyirbal correctly one must use the right classifier before each noun  Lakoff, page  52ff,  link

    It won't take long to make connections now between two of my hot topics:


    • Sapir-Whorf
    • Semantic Domain
    • Set Theory   (see Lakoff's index under "sets")


    How do we define, categorize, compartmentalize?

    These are great questions for my hot "labels":


    • Role of the pastor
    • ecclesiology




    But what does this all have to do with sex?




    Pursue that, will you?

    But for starters, let Lakoff lead.
    Read pp. 409-415 of his book  here/
    Or below:
    Lakoff-women Fire and Dangerous Things








    --

    More on Lakoff:

    GeorgeLakoff.com


    -- George Lakoff on how he started his work on conceptual metaphor Idea Framing, Metaphors, and Your Brain - George Lakoff: Prof. George Lakoff - Reason is 98% Subconscious Metaphor in Frames & CULTural NarrativesL